2026 Exhibition

Bespoke Utopia /  by Exhibitions

Evan Humphreys, Cloister Chair, 2024. Image courtesy of the artist.

Gavin Bradstreet | Wilay Designs | Matthew Freeman | Michele Grimstom | Shaun Hayes | Matilda Hillam | Evan Humphreys | Karen Lee | Sandy Ma | Paul Mclnnes | Melissa Nickols | Jessica Spencer | Lisa Stevenson | Grace Walters

Gallery 1
Opening Thursday 22 October, 2026, 6-8pm
Friday 23 October - Sunday 15 November


‘Bespoke Utopia’ brings together leading Canberra artists whose practices embrace the principles of slow design, offering an alternative to the norms of post-capitalist production. Showcasing the depth and diversity of the region's art and design community, the exhibition highlights creative practices that celebrate care, craftsmanship and long-term thinking.

In today's post-capitalist economy, contemporary design often functions as a driver of overconsumption. Much of popular design is classified as ephemeral, disposable or temporal, categories that reflect the broader issue of planned obsolescence. These approaches carry significant ethical and environmental implications, particularly in the face of accelerating climate change. Bespoke Utopia invites audiences to critically consider how these design practices shape our world and to reflect on their long-term consequences.

The artists featured in Bespoke Utopia prioritise thoughtful, responsible making over rapid, large-scale manufacturing. Drawing on traditions of craftsmanship and handmade processes, their work positions slow design as both a philosophy and a form of creative activism - one that contributes to broader cultural shifts towards environmental and social sustainability. Through sustained engagement with materials, form and process, the exhibition highlights how deliberate, mindful design can foster more enduring and environmentally conscious ways of living.

Canberra's design identity has long been characterised by the convergence of fine art, craft and applied design. Shaped by the region's strong history of craft education, community studios and maker networks, the artists in Bespoke Utopia combine traditional techniques with contemporary visual languages to create works that are innovative, finely crafted and conceptually grounded. Together, they celebrate the strength of local artistic practice while contributing to wider conversations about sustainability, material culture and the role of design in shaping everyday life.


Learn More About 2026 Craft and Design Festival:

The 2026 Craft + Design Canberra Festival celebrates Canberra as a creative city of design, showcasing the work of more than 500 artists, makers, designers and creative thinkers. Across ten days, experience more than 130 activations, including events, exhibitions, markets, open studios, performances, public artworks, symposiums, talks, tours and workshops across the city.

Responding to the theme of Dissent, the Festival explores how craft, design and creative practice can question what exists, challenge convention and imagine different ways forward. Discover work engaging with environmental and social impact, sustainability, wellbeing, accessibility and the future of Canberra.

Celebrating the handmade and locally made, the Festival recognises the skills, stories and material knowledge held within our creative communities. Together, the program considers craft, design and art as practical tools for responding to the challenges of our time and shaping more sustainable, equitable and imaginative futures.


Played /  by Exhibitions

Leslie Anderson, Played. Image courtesy of the artist.

Leslie Anderson

CHUTESPACE
Opening Thursday 22 October, 2026, 6-8pm
Friday 23 October - Sunday 18 November


Played started with a simple set of rules: a limited colour palette, four fixed plaid patterns, and a stack of silk screens. After a busy year, working within those limits gave Lesley Andersen a chance to pause, reset, and play without needing to control every outcome. The process became a kind of debrief: a way to loosen up, make decisions quickly, and see what could happen when chance was invited into the studio.

For Chutespace, the screen prints moved off the flat surface and onto 3D forms, where the patterns could shift, clash, fold, and collide. That move opened up the work’s central feeling: letting go. Within a safe structure, Played asks what it means to give in to the things we cannot fully manage, while still finding energy and joy in the process. The installation is bold, bright, and deliberately excessive — an explosion of colour that turns control into play.

 
 

Ode to the Masters /  by Exhibitions

Christina Currey, Ode to the Masters, 2026. Image courtesy of the artist.

Christina Currey

CHUTESPACE
Opening Thursday 27 August, 2026, 6-8pm
Friday 28 August - Sunday 20 September


This small sculptural work is an Ionic column carved from balsa wood. Chosen for its light tone and malleability, the material evokes the white marble of Greco-Roman architecture while emphasising process and touch. The work pays homage to the master artisans whose craftsmanship has endured as a source of study and inspiration for millennia.

Using only chisels and files, I shaped the column through a slow, deliberate process, working with the grain rather than against it. By resisting contemporary tools such as dremels, 3D modelling, and laser cutting, the work reasserts the value of time, patience, and skilled handcraft.

Displayed horizontally, the column is displaced from its traditional role as a structural support. This shift invites viewers to consider how traditional craftsmanship is unsettled by emerging technologies and AI, and how ornament has increasingly become an object of display rather than an integral part of enduring architectural structures.