2026

Saskia Haalebos /  by Exhibitions

Saskia Haalebos, FLOOD, 2018, paint marker on glass, child’s camouflage hunting-suit, using an excerpt from The Lake by author Jane Rawson, duration 12 hours 30 mins. Performed at Contour 556: Canberra’s Public Art Biennial, East Space, curated by Neil Hobbs. Image Sean Davey.

Saskia Haalebos (she/her) is a multidisciplinary artist who works with audio, book-arts, coding, performance-drawing, printmaking, film, text—whatever the idea needs around themes of time, empathy, and mis/communication.

Her highlights include: the National Gallery of Australia asking her to create a family program for their building’s 40th birthday; being a guest artist for the EXTRA! EXTRA! residency as part of the AGNSW’s Kaldor Public Art retrospective; being a sessional lecturer at the National Art School in Sydney; and having solo exhibitions with Goulburn Regional Art Gallery (NSW), Sawtooth ARI (TAS), Sydney Non-Objective (NSW), Canberra Contemporary Manuka (ACT), and Megalo Print Studio and Gallery (ACT).

In 2023 Saskia was the recipient of the inaugural M16 Studio Residency Program..


 

Odette Elix England /  by Exhibitions

Odette Elix England, Untitled, from the series 'The Long Shadow'. Credit: the artist.

Odette Elix England was raised in rural South Australia and now teaches photography in Australia and the USA. A 2022 Guggenheim Fellow, her work blends autobiography with photographs to explore place, gender, and rituals of loving and leaving. She has published six award-winning books. Her first novella Isn’t X Beautiful was published in 2026. She is currently working on her second novella, Once I Was A Photograph, and an experimental re-telling of Susan Sontag’s book On Photography.

 

Greg Stoodley /  by Exhibitions

Greg Stoodley, Greg and Orbit, 2021. Image courtesy of the artist.

Greg Stoodley is a photographer and artist who enjoys playing with aesthetics and materials from photography’s past and integrating them with digital media. He has a distinct love for black-and-white photography and analogue processes. The overriding theme of his work explores the relationship of the photographic image to time, especially as that relates to culture and its relationship to photography.

 

Stefanie Schulte /  by Exhibitions

Stefanie Schulte, Fading Away Into Nothing, 2024. Image courtesy of Brenton McGeachie

Dr Stefanie Schulte’s painting practice treats the studio as a colour laboratory, shaped by extended processes of mixing, testing and layering. Working across multiple canvases, she explores dynamic relationships between colours, balancing intuition, structure and surprise.

She also teaches visual arts, photography and German at Saint Francis Xavier College, Florey. A German artist, Stefanie studied Visual Arts in Spain and holds four degrees in the field: a Spanish Licentiate degree (BFA + MFA), a Diploma de Estudios Avanzados (Honours Degree), and a PhD. She also holds a Master of Secondary Teaching.

Stefanie has exhibited her work in Australia, Spain, Germany, The Netherlands, Sweden and The USA, with recent solo exhibitions in Canberra and Melbourne. Her work has been included in major group exhibitions, international curated shows, prize finalist exhibitions and museum acquisitions.