๐™‡๐™ค๐™ค๐™ ๐™ž๐™ฃ๐™œ ๐™›๐™ค๐™ง๐™ฌ๐™–๐™ง๐™™ ๐™ก๐™ค๐™ค๐™ ๐™ž๐™ฃ๐™œ ๐™—๐™–๐™˜๐™  / by Kirrily Jordan

Gallery 2

Luna Ryan

4 February - 21 February 2021

Exploring the artistโ€™s studio practice in Canberra since graduating from the ANU School of Artโ€™s Glass Workshop in 1990, where she studied under Klaus Moje, Luna Ryanโ€™s new solo exhibition unveils a major central work, Citadel (2021), with satellite pieces and wall works combining retrospective elements to reflect on the theme of Looking Forward Looking Back.

In a play on its name that evokes a civic fortress or stronghold, Citadel shows a place devoid of human inhabitants, where the citadel is not the protector of citizens but of Nature. Here Nature seems to be shielded by a swarm of strange critters who evolved out of pods. Like the accompanying retrospective figurative works, Messengers and Faith, they instil a gently dystopian premonition of a world devoid of people.

Radiating out from Citadel, and resonating with this central metaphysical concern, come a series of other glass installations that look at the tension and conflict between people, with views to religion and other vehicles for communication and miscommunication in contemporary society.

A second major installation, Into the Void and Counting (2020) is a philosophical reflection of a playful and humane letting go, while the Unknown Currency works project into a future life of unknown spiritual values. Nearby, wall installations offer windows of silent contemplation, completing the exhibitionโ€™s gradually evolving process of not only looking forward and looking back, but of looking out and looking in.

image: Luna Ryan, Into The Void And Counting, 2020. Kiln cast television screen, metal, 41 x 86 x 5 cm. Image courtesy of the artist.